The archaeological past exists for us through intermediaries. Some are written works, descriptions, narratives and field notes, while others are visual: the drawings, paintings, photographs, powerpoints or computer visualizations that allow us to re-present past forms of human existence. This volume brings together nine papers, six of which were presented at a symposium hosted at Brown University. Two papers explore the classical past and medieval visualizations. Three treat the Maya, and one considers the imaging by eighteenth-century antiquarians of British history; yet another ranges broadly in its historical considerations. Several consider the trajectory over time of visualization and self-imaging. Others engage with issues of recording by looking, for example, at the ways in which nineteenth–century excavation photographs can aid in the reconstruction of an inscription or by evaluating the process of mapping a site with ArcGIS and computer animation software. All essays raise key questions about the function of re-presentations of the past in current archaeological practice.

• Cover Page
• Title Page
• Copyright Page
• Contents
• List of Figures
• Notes on Contributors
• Contributor Addresses
• 1. Re-Presenting Archaeology
• 2. Imaging British History: Patriotism, Professional Arts Practice, and the Quest for Precision
• 3. Re-Presenting the Monastery: From Ordo to Google Earth
• 4. Ping-Pong, Polygons, Virgins: Graphic Representations of the Ancient Maya
• 5. Visual Time Machines: Nineteenth-Century Photographs and Museum Re-Presentations in Maya Archaeology
• 6. Of Imaging and Imagining: Landscape Reconstruction at Piedras Negras
• 7. A Political Economy of Visual Media in Archaeology
• 8. Representing the Medieval Festivals of Jaén Through Text, Enactment and Image
• 9. The World on a Flat Surface: Maps from The Archaeology of Greece and Beyond
• 10. To be or not to be in Past Spaces: Thoughts on Roman Immersive Reconstructions
• References
• Index