Weaving and Fabric in Antiquity / Weben und Gewebe in der Antike  
Materiality – Representation – Epistemology – Metapoetics / Materialität – Repräsentation – Episteme – Metapoetik
Published by Oxbow Books
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ISBN: 9781785700637
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Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics presents 12 papers arranged under the four headings of the title which focus on the process of textile manufacture, the weaving process itself, and the materiality of fabric. Contributions adddress the problematic issues of cognitive archaeology, consumer research, literary theory and themes addressing both philosophical history and the history of reception of ideas and practice. The contributions seek both to close the critical gaps with respect to weaving, a broad and complex field in the area of ancient cultural techniques, and to identify new themes. Accordingly, the submissions expand our focus into late antiquity, to integrate texts such as letters written on Papyrus detailing the everyday correspondence of an Egyptian family or to spotlight the meaning of textile terms and the history of misunderstandings associated therein. Frequently overused analogies between writing and weaving are also examined in terms of their legitimacy as well as their limits. The papers presented here result from an international and interdisciplinary conference under the same title held in Castelen, near Basel in 2012.
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Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics presents 12 papers arranged under the four headings of the title which focus on the process of textile manufacture, the weaving process itself, and the materiality of fabric. Contributions adddress the problematic issues of cognitive archaeology, consumer research, literary theory and themes addressing both philosophical history and the history of reception of ideas and practice. The contributions seek both to close the critical gaps with respect to weaving, a broad and complex field in the area of ancient cultural techniques, and to identify new themes. Accordingly, the submissions expand our focus into late antiquity, to integrate texts such as letters written on Papyrus detailing the everyday correspondence of an Egyptian family or to spotlight the meaning of textile terms and the history of misunderstandings associated therein. Frequently overused analogies between writing and weaving are also examined in terms of their legitimacy as well as their limits. The papers presented here result from an international and interdisciplinary conference under the same title held in Castelen, near Basel in 2012.
Table of contents
  • Deckel
  • Titelblatt
  • Urheberrecht
  • Inhaltsverzeichnis
  • Einleitung
  • Introduction
  • Teil I: Materialität
    • Kapitel 1: Byssus und Muschelseide. Ein sprachliches Problem und seine Folgen
    • Kapitel 2: Le tissage dans les lettres privées de l’Égypte byzantine: travail domestique ou activité lucrative?
  • Teil II: Repräsentation
    • Kapitel 3: „Canusiner Gewand, das trübem Honigwein sehr gleicht […]“. Wollqualitäten und Luxusdiskurs in der Antike
    • Kapitel 4: Das Gewand des Honorius in der Dichtung Claudians
  • Teil III: Episteme
    • Kapitel 5: Denkmuster in der antiken Weberei. Eine Spurensuche
    • Kapitel 6: The loom and the ship in ancient Greece. Shared knowledge, shared terminology, cross-crafts, or cognitive maritime-textile archaeology?
    • Kapitel 7: Weben und Wahrheit. Die Hermeneutik von Geweben in Euripides’ Ion
    • Kapitel 8: Over the Rainbow. Arachne und Araneola – Figuren der Transgression
  • Teil IV: Metapoetik
    • Kapitel 9: Einige Pendenzen. Weben und Text in der antiken Literatur
    • Kapitel 10: Entgrenzungen von Proserpinas Kosmos
    • Kapitel 11: Das Lied von der webenden Aphrodite. Eine metapoetische Interpretation von Nonn. Dion. 24, 242–326
    • Kapitel 12: Reading Textual Patchwork
  • Abstracts
  • Über die Autoren/About the authors
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