The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context.

The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.

• Cover
• Title
• Copyright
• Preface
• Contents
• Contributors
• Introduction
• Part I: collections
  • 1 The evolving arrangement of the Homeric Hymns
  • Alexander E. W. Hall
  • 2 Stars of a lesser magnitude: some glimmerings from the corpus of astrological poetry ascribed to Manetho
  • Jane Lightfoot
  • 3 Authorial intent and the structure of book 3 of the Corpus Tibullianum
  • Robert Maltby
  • 4 Elegiacs on Octavius (and) Musa: exploring Catalepton 4 and 11
  • T. E. Franklinos
  • 5 Collections and editions: Metrodorus in the Greek Anthology
  • Michael A. Tueller
• Part II: fragments
  • 6 Fragments of ‘anonymous’ Latin verse in Cicero
  • Hannah Čulík-Baird
  • 7 Editing anonymous ancient Greek tragedy
  • P. J. Finglass
  • 8 The Helen episode in Aeneid 2: between authorial poetry and anonymity
  • Mikhail Shumilin
  • 9 The author of [Tibullus] 3.19 and 3.20: anonymous or Tibullus?
  • S. J. Heyworth
• Part III: texts
  • 10 ‘Have you ever known what it is to be an orphan?’: the Batrachomyomachia and its absent author
  • Matthew Hosty
  • 11 Conjectural emendation in the Appendix Vergiliana: the case of the Moretum
  • Boris Kayachev
  • 12 The poetics of Greek inscriptions
  • Richard Hunter