As film stars, actresses have contributed to the film industry's glamorous surface. To talk about women in film as invisible may thus seem odd. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented. This is true of contemporary film culture, and has been true historically, despite significant variations between countries/geographical areas, historical time periods and different roles/professions in film production, distribution and exhibition.

Considering women's gradually increasing participation in the paid workforce during the 20th century, women's representation in film work might also be expected to increase gradually from the beginning of cinema and onwards. However, as the Women Film Pioneers Project has suggested, the number of women who at all levels inside and outside the Hollywood film industry was greater in first two decades of cinema than at any time since. This may partly reflect the fact that it was easier for women to enter the film industry in an early, experimental phase, before it had become apparent how lucrative the medium of film could be. Nevertheless there is arguably a need to extend the attention on women's contributions to film history beyond the silent era, making visible what has been absent in traditional film history books, and reclaim women's agency in a wider film historical perspective.

This anthology represents a step in this direction. The articles included in the book deal with women's agency in a wide range of roles, in film production, exhibition and criticism, but also with new perspectives on stars/actresses and their agency, and extending focus to include LGBT and queer identities. We pay particular attention to the challenges and opportunities that digitization offers for projects of this kind, including a wider range of methods, subjects and themes.

• Cover
• Title
• Copyright
• Contents
• Foreword
• Acknowledgements
• Tracing women’s agency in Swedish film history and beyond
  • An introduction
• I Archival interventions – Locating women’s agency in the archive
  • 1. Visible absence, invisible presence
    • Feminist film history, the database and the archive
  • 2. Female cinema musicians in Sweden 1905–1915
  • 3. Women film exhibition pioneers in Sweden
    • Agency, invisibility and first wave feminism
  • 4. Queering the archive
    • Amateur films and LGBT+ memory
• II Women, Film and Agency in the 1970s and 1980s
  • 5. Activism, ideals and film criticism in 1970s Sweden
  • 6. Freedom to choose
    • Reproduction and women’s agency in three Swedish films of the 1980s
  • 7. An elevated feminist ahead of her time?
    • Mai Zetterling’s non-fiction shorts in the 1970s and 1980s
• Contributors