Materialitas  
Working Stone, Carving Identity
Published by Oxbow Books
Publication Date:  Available in all formats
ISBN: 9781782973614
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Stone monuments and objects are highly accessible today and formed a focus for engagement, transformation and re-use in the past. Stone is inextricably linked to ideas of monumentality and remembrance. It formed an active medium in the creation of identities and memory in a range of social contexts and practices, including the embodied, performative and incorporated practices of daily activities and traditions. It can be argued that the material presence and physical character of stone objects and monuments were not only actively harnessed in these encounters, but were also the very stuff from which social relations were derived, perceived and thought through.


This volume explores the power and effect of stone through the meanings that emerged out of peoples engagement and encounters with its physical properties. Focused primarily on the Neolithic and Bronze Age of Atlantic Europe it brings together authors working on the materiality (materialitas) of stone via stone objects, rock art, monuments and quarrying activity. This highlights the connections that cross-cut what are traditionally seen as disparate research areas within the archaeological discipline.
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Stone monuments and objects are highly accessible today and formed a focus for engagement, transformation and re-use in the past. Stone is inextricably linked to ideas of monumentality and remembrance. It formed an active medium in the creation of identities and memory in a range of social contexts and practices, including the embodied, performative and incorporated practices of daily activities and traditions. It can be argued that the material presence and physical character of stone objects and monuments were not only actively harnessed in these encounters, but were also the very stuff from which social relations were derived, perceived and thought through.


This volume explores the power and effect of stone through the meanings that emerged out of peoples engagement and encounters with its physical properties. Focused primarily on the Neolithic and Bronze Age of Atlantic Europe it brings together authors working on the materiality (materialitas) of stone via stone objects, rock art, monuments and quarrying activity. This highlights the connections that cross-cut what are traditionally seen as disparate research areas within the archaeological discipline.
Table of contents
  • Cover Page
  • Title Page
  • Copyright Page
  • Contents
  • List of Figures and Tables
  • Contributors
  • Abstract
  • French Language Abstract
  • German Language Abstract
  • Acknowledgements
  • Introduction: Materialitas and the significance of stone
  • Part 1: Stone Quarries and Monuments
    • 1. Dead Stone and Living Rock
    • 2. Stones with Character: animism, agency and megalithic monuments
    • 3. Preserved in Stone: material and ideology in the Neolithic
    • 4. The World of the Grey Wethers
    • 5. Megalithic Technology: a new approach to the earliest stone architecture of the west of France. Issues, methodology and results
    • 6. Building the Great Stone Circles of Northern Britain: questions of materiality, identity and social practices
    • 7. Mundane Stone and its Meaning in the Neolithic
    • 8. Carneddau: Stone
  • Part 2: Worked and Carved Stones
    • 9. Help, I'm a Rock! The Materiality of Stone in the Mesolithic of Britain and Ireland
    • 10. Black is the Colour ... Chert, Concave Scrapers and Passage Tombs
    • 11. Neolithic Fibrolite Working in the West of France
    • 12. The Ideological Significance of Flint for Neolithic and Bronze Age Communities in the Rhine/Meuse Delta of the Netherlands
    • 13. Speaking of Stone, Speaking through Stone: an exegesis of an engraved slate plaque from Late Neolithic Iberia
    • 14. Re-collected Objects: carved, worked and unworked stone in Bronze Age funerary monuments
    • 15. Breaking Down and Cracking Up: rock art and the materiality of stone in Kilmartin, Argyll, Scotland
    • 16. Signs on a Rock Veil: work on rocks, 'prehistoric art' and identity in north-west Iberia
  • Afterword
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